A story for the "slipped right by us" file: Michael Davenport, a former bassist for turn-of-the-century pop-punk stalwarts The Ataris, was indicted in December by the U.S. Attorney's Office of the Southern District of Illinois of allegedly defrauding an astounding number of people — some 100,000, in every U.S. state (and the District of Columbia) — of $27 million over a period of seven years. Davenport and a co-worker were scheduled to be arraigned in East St. Louis, Ill., on Wednesday.
The best songs we heard this year reflected a deep sense of collective need. For safety, for respect, for self-definition. For money or sex or revolution. Maybe we just hear what we crave, but on huge hits and semi-obscure album cuts alike, it seemed that musicians in 2017 were facing down eternity or the possibility of annihilation. Both Sylvan Esso and Jason Isbell linked love with death. Kendrick Lamar gave us his most tender song yet, as well as his harshest condemnation. Ibeyi and Kesha gave us righteous anger and forgiveness. Sharon Jones faced the end.
Wilco has released a new song against ignorance and violence in the wake of last weekend's unrest in Charlottesville, VA. The track, called "All Lives, You Say?" is a short country shuffle that takes aim at the slogan "All Lives Matter," designed as a counter-protest to the Black Lives Matter movement.
At this stage, it feels like Wilco has headlined nearly every festival — including its own Solid Sound Festival. But the band's sunset Saturday Newport Folk Festival demonstrated why, year after year, Wilco gets top billing: Twenty years in, the Chicago band has staying power without sacrificing a sense of sonic exploration.
On this edition of All Songs Considered, hosts Bob Boilen and Robin Hilton share a brand new song from Beck. The new cut, called "Gimme," is the third single he's released since June and by far the strangest (i.e., best) of the bunch. None of the songs will be on the new full-length record Beck hopes to release before the end of the year.
The new documentary Muscle Shoals recalls how interracial harmony in tumultuous times made possible a new kind of music. Leading African-American artists traveled to North Alabama — not exactly a place they thought they'd be welcome in the civil rights era — to jam with an all-white crew of session players. In little rooms near the wide Tennessee River, they perfected soul and anticipated Southern rock.