Jewly Hight

Black women leveraged the power of streaming platforms and social media to bridge the chasms previously carved by labels, publishers and radio.

The mostly white country and folk music industries remain frustratingly difficult for Black musicians to enter. During one of Nashville's biggest events, one group envisioned a new pathway in.

Madi Diaz had much to process leading up to her new album, History of a Feeling: moving home to Nashville from L.A., reestablishing herself as a solo artist and splitting from her partner.

On Torres' Thirstier, Mackenzie Scott contends with pop music's tropes and techniques to wrestle with the high stakes of a long-term relationship: "This is about the love of my life."

Allisson Russell has spent her career collaborating – but for Outside Child, her first solo record, she is stepping boldly out in front, sharing her tales of healing.

Marks' catalog — especially her latest album — deserves a close listen, revealing a history lesson not just about her own experiences and repertoire but the entire last century of Black roots music.

The Nashville-based, Nigerian-American artist writes songs that offer trustworthy empathy, delivered without romanticism — a tone that has connected with listeners during the tumultuous pandemic era.

Country music's race problem became a hot topic in early February, but the roots of racial injustice in the industry go much deeper. Two Nashville writers unpack the history and recent responses.

This fall, the bluegrass supergroup Sister Sadie became the first all-female band ever to win the top prize at the International Bluegrass Music Association awards.

Charley Pride was a symbol, ancestor and influence. But the country singer was also a master interpreter of song, his warm baritone attuned to deep emotion.