Jason Sheehan
-
What appears to be a simple, awful police killing turns out to be much worse in Cadwell Turnbull's new No Gods, No Monsters, set in a world where monsters and magic are real, and none of it is pretty.
-
This year's Summer Poll is all about the past decade in science fiction and fantasy, so we asked critic Jason Sheehan to come up with his own list of the new sci-fi that's blowing his mind.
-
Chef and food writer Anthony Bourdain died by suicide in 2018. The new documentary Roadrunner gathers people who knew him well to praise and remember him, and also to rage about his death.
-
The Mass Effect series is known almost as much for its storytelling as its actual gameplay — as the series is rereleased in an omnibus Legendary edition, we look at what makes it so literary.
-
Martha Wells' new Murderbot novella is a classic locked-room mystery — only the locked room is a docked shuttle at a normally peaceful space station ill-equipped to deal with murder and mayhem.
-
Our occasional series on storytelling in video games returns with a look at The Last of Us Part II, which pulls a perspective switch on players that forces them to confront their role in the game.
-
Our occasional series on storytelling in video games returns with a look at the eerie indie hit Kentucky Route Zero, which is ostensibly about a guy making a delivery — but there's so much more.
-
Stina Leicht's new sci-fi novel has a lot of moving parts: Space opera, rough-and-tumble mercenaries, corporate intrigue, alien first contact — and to her credit, she almost pulls it all off.
-
Video games can offer immense, immersive open worlds — but for some players, the small-scale grinding repetition of the games known as "roguelikes" is a better way to pass the time.
-
CD Projekt Red's hotly-anticipated new game turned out to be a buggy mess — but beyond that, it's just a bad game that doesn't do justice to the gritty, anti-corporate nature of its source material.