Mallory Yu

Petra: It's Saturday! (Or actually, as we're posting this it's now Sunday) I feel the need to reiterate this, lest I forget what day it is or which direction is up! Saturday tends to be the day people bust out their best cosplays — I saw some truly amazing getups, including countless Deadpools (Deadspool?), a lot of women dressed as Loki and Doctor Strange, a really well-done armored Cersei Lannister, Missandei of Naath carrying her own head, and my personal favorite, Logan and Jessica from Logan's Run, complete with life-clocks in their palms.

Mallory: It's Friday! By this point in the con, the crowds are much crowdier, the lines for everything are much longer, the cosplay is starting to come out ... we're in the full swing of things, folks.

Welcome to the 50th San Diego Comic-Con!

A good convention is almost a ritual space — a time and place away from time and place. Once you step through that glass door and swipe your badge, you could be anywhere, anywhen; the hours pass by outside and you don't notice. It's almost as if the rest of the world doesn't exist — you are at Comic-Con. You have always been at Comic-Con. What I'm trying to say, here, is that I've barely been here 24 hours and I already don't know which way is up or really what day it is. Mallory, I hope you're less disoriented than I am.

Sarah Kuhn's I Love You So Mochi begins with Japanese American student Kimi Nakamura at a crossroad. Her last spring break of high school is coming up, she's about to graduate and start attending a prestigious art school. But here's the thing: She's not so sure anymore that she wants to be a painter like her mom. She's not sure what she wants.

I don't remember when the concept of consent as it relates to sex became part of my vocabulary, but it shapes how I approach my personal relationships and affects the way I move through the world. I was shaken when the #MeToo movement exploded, not only by the stories of sexual assault and harassment but also by the stories of women who had felt pressured or coerced into having sex they didn't want.

It's been 50 years since Woodstock Music & Arts Festival. To celebrate the 50th anniversary of three days of peace, love and music, Woodstock 50 will take place Aug. 16–18, 2019, in Watkins Glen, N.Y. Festival co-founder Michael Lang has announced the official lineup for the anniversary festival with Jay-Z, Dead & Company and The Killers as headliners.

The late pop star Michael Jackson, once hailed as the King of Pop, is the focus of the new documentary Leaving Neverland, which airs this weekend on HBO. The four-hour documentary centers on two of Jackson's alleged sexual abuse victims, Wade Robson and James Safechuck. Robson and Safechuck, now both in their 30s, say that Jackson sexually abused them for years when they were as young as 7 and 10 years old. Filmmaker Dan Reed spent three years putting this documentary together.

Director Dan Gilroy is back with a new film called Velvet Buzzsaw.

Like his last movie, Nightcrawler, Gilroy is the writer and director. And also like his last film, this one stars Jake Gyllenhaal and Rene Russo. Gyllenhaal plays an art critic named Morf Vandewalt, Russo a gallery owner named Rhodora Haze. And the movie hinges around the work of the late artist Vetril Dease.

As the names may give away, Velvet Buzzsaw is a comedy. It's also a horror movie, where the killer is — wait for it — the works of art.

Tillie Walden is only 22 years old, but she's already published six graphic novels. Her work often features young female protagonists — sometimes herself — coming of age. This year alone, her graphic memoir Spinning won the Eisner Award for Best Reality-Based Work, and her webcomic On a Sunbeam was published in book format.

When comics creator Taneka Stotts accepted an Eisner Award — the comics industry's highest honor — this year for her anthology Elements: Fire — A Comic Anthology by Creators of Color, she was fired up.

"I hold this award," she said, "and I declare war on the antiquated mentality that tells us our voices and stories aren't 'profitable' enough ... we're not waiting for you to catch up anymore. We are here, we have always been here, and we will do as you've always told us. We will make it ourselves."

The new movie If Beale Street Could Talk is based on a James Baldwin novel of the same title.

Barry Jenkins (Moonlight) adapted and directed the film. And in working with the Baldwin estate, he received a leather notebook filled with Baldwin's handwritten notes about how he would have approached a film version.

The breakout star of Crazy Rich Asians goes by one name: Awkwafina. Clever and profane, the 5-foot-1 rapper-actress catapulted to Internet fame in 2012 when she released a music video that we can't really name on this site.

Writer and artist Emil Ferris won three Eisner Awards — the highest award in mainstream comics — for her graphic novel My Favorite Thing is Monsters. It's a huge tome, full of inky, scratchy drawings done in ballpoint pen, ranging from loose sketches to lovingly rendered covers of pulp horror magazines.

One of the freshest reboots in the world of comic books is based on a kids show that debuted back in the '60s: The Flintstones. But this isn't the "modern Stone Age family" you might remember from your childhood.

Cartoonist Thi Bui's Eisner Award-nominated graphic memoir is called The Best We Could Do; it's the story of her family in the years before, during and after the Vietnam War. The Eisners — mainstream comics' top award — are given out every year at San Diego Comic-Con, where Bui was one of this year's featured guests.

San Diego Comic-Con wrapped up on Sunday. NPR comic buffs Mallory Yu and Petra Mayer discuss highlights of the convention's last day, in which women, writers of color — and monsters — took front and center.

Petra: Mallory, oh, my God, we made it. We made it. We almost got sidetracked just trying to find a place to sit down and eat some crummy convention concession pizza (although by Grabthar's hammer, crummy convention concession pizza was what my soul desired) but we made it through the week.

Actor Lakeith Stanfield is having a moment. He was in Jordan Peele's Oscar-winning horror satire, Get Out. He's in the FX show show Atlanta, where he plays Darius, the stoner sidekick to a rap star who often says pretty outrageous things — like speculating what life would be like if you could use a rat as a cell phone (people in New York City would be doing pretty well, for example). And this summer, Stanfield is in the new movie, Sorry to Bother You, which he calls "an absurdist dark comedy with magical realism that's set in the world of telemarketing.

Hereditary has been called "emotionally devastating" and "disturbing" by critics and audiences alike. It's a supernatural horror film, with sinister things lurking just out of sight, but when writer-director Ari Aster was pitching his first feature-length film to studios, he says he was careful not to call it horror: "The film is a horror film, it's unabashedly one, but as I was pitching it, I was describing it as a family tragedy that curdles into a nightmare."

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Actor Doug Jones has had a long and prolific career in Hollywood, though many wouldn't recognize him on the street. That's because he's usually masked by latex, silicone and makeup, playing some of Hollywood's most recognizable monsters – including the so-called Amphibian Man in Guillermo del Toro's The Shape of Water. Underneath it all, Jones infuses his characters with real emotion, communicating not with words but with movement and touch.

Copyright 2018 NPR. To see more, visit http://www.npr.org/.

ARI SHAPIRO, HOST:

The movie "The Shape Of Water" is up for 13 Oscars, the most of any film this year.

(SOUNDBITE OF FILM, "THE SHAPE OF WATER")

RICHARD JENKINS: (As Giles) A tale of love and loss and the monster who tried to destroy it all.

Black Panther is the latest offering from Marvel and Disney — if you don't already know the story, here's quick synopsis: It's about T'Challa, the superhero Black Panther and the king of Wakanda, an isolated, technologically advanced African country that sits upon a rich deposit of the metal vibranium, the strongest substance in the Marvel world.

The new Starz series American Gods is based on Neil Gaiman's fantasy novel of the same name, and it's many things: a road novel, a collection of mythologies, and a reflection of the immigrant experience.

The story follows an ex-convict named Shadow Moon, newly released from prison when he meets a mysterious man who calls himself Mr. Wednesday and offers Shadow a job as a bodyguard and chauffeur.

After some initial hesitation, Shadow accepts the job, and he and Mr. Wednesday head out on the open road, where much of American Gods takes place.

Musicians from all over the world are settling back at home, recovering from last week's South by Southwest festival in Austin, Texas. Hundreds of musicians played throughout the week, for crowds big and small.