© 2026 NPR Illinois
For your right to be curious.
Play Live Radio
Next Up:
0:00
0:00
0:00 0:00
Available On Air Stations
Build a transformational philanthropy program for this trusted NPR affiliate.
Seeking a 100% major gift fundraiser passionate about public media to develop relationships with people who support an informed and civil central Illinois.
Hire will have community visibility, many prospects, and professional resources.
Interviews in progress, open until filled. Apply now.

Are you availabile to be a local fill-in anchor on Morning Edition and/or All Things Considered?
Must be available with notice either weekdays from 5:30 to 9 a.m. and/or 3:30 to 6 p.m.
Apply by June 5, 5 p.m.

One Reason To Get Whatever Size Pizza You Want

Guillaume Meyer
/
AFP/Getty Images

My Planet Money colleague Quoctrung Bui argues that you should always buy a larger pizza. Using a fancy infographic, he shows that often for just a small amount of money, you can get a lot more pizza.

The only problem with his argument: negative marginal returns on pizza.

That's just a geeky way of saying that, at some point, more pizza is actually worse than less pizza.

This idea might be foreign to, say, teenagers and college kids. But for most people, there's a point at which more pizza makes you less happy. You don't want to eat it, but you have to lug it home, find room for it in the fridge, then throw it out when it goes bad. Or maybe you know you'll eat it at 2 a.m. and be very unhappy with yourself.

Negative marginal returns apply to everything. I don't buy the giant, 24-roll packs of paper towels on Amazon, because storage is hard to come by in a small New York apartment.

Copyright 2021 NPR. To see more, visit https://www.npr.org.

Jess Jiang is the producer for NPR's international podcast, Rough Translation. Previously, Jess was a producer for Planet Money. In 2014, she won an Emmy for the team's T-shirt project. She followed the start of the t-shirt's journey, from cotton farms in Mississippi to factories in Indonesia. But her biggest prize has been getting to drive a forklift, back hoe, and a 35-ton digger for a story. Jess got her start in public radio at Studio 360—though, if you search hard enough, you can uncover a podcast she made back in college.