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  • A divided U.S. Supreme Court rules on cases involving campaign-finance reform and the death penalty. Justices rejected a Vermont law that limited how much money a candidate can raise or spend. They upheld a Kansas law mandating a death sentence if evidence for and against the punishment appear equal. Madeleine Brand speaks with Slate legal analyst Dahlia Lithwick about the latest rulings.
  • In John Sandford's new thriller Broken Prey, middle-aged Minneapolis police officer Lucas Davenport takes time out from crime-solving to compile a list of the top 100 rock songs for a road trip.
  • Young playwrights highlight the damage done by gun violence after winning a competition called #enough. Their performances are scheduled to occur on the date of the 1999 Columbine school shooting.
  • The shooting took place during a party, attended by many underage people, at an Airbnb property in the city's North Side, police said. There were at least 90 rounds fired.
  • As President Emmanuel Macron and challenger Marine Le Pen campaign for the April 24 run-off election, analysts say the vote results will have deep consequences in France and on the world stage.
  • Texas Gov. Greg Abbott, a Republican, has been testing the limits of how much his state can do to curb unauthorized migration. But Abbott's sweeping crackdown hasn't always gone as planned.
  • The U.S. Supreme Court rules that people who use marijuana for medical reasons can be prosecuted by the federal government, even when a state sanctions medicinal use of the drug. Ten states allow people to take marijuana under a doctor's prescription.
  • Steve Inskeep visits a convention of law-enforcement groups and reports on the growing business of high-tech gadgets.
  • Linda Wertheimer speaks with Robert Wittman, senior investigator of the FBI's new Art Crimes Unit, about searching for -- and recovering -- stolen art and artifacts around the globe.
  • With songs about Anne Frank's final months at Bergen-Belsen, Neutral Milk Hotel's In the Aeroplane Over the Sea hardly seems like the stuff of high school theater. But with the aid of The Dresden Dolls' Amanda Palmer, students in Lexington, Mass., have turned the seminal indie rock album into a surrealist production.
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