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Andres Segovia popularized the classical guitar. Julian Bream took it to the next level.

Composer Ted Hearne is known for tackling big social themes through his music. His modern classical works have put a spotlight on issues of race and justice, inequality, natural disasters and other social issues.

His latest work, a collaboration with the poet and musician Saul Williams, is called Place. It's 19 songs or movements combining jazz, indie rock, modern classical, electronica and spoken word — and it's described as a "rumination on gentrification."

Updated at 5:25 p.m. ET

A now-former administrator of Opera Theatre of St. Louis [OTSL], Damon Bristo, was arrested last month for child sex trafficking in the second degree. Bristo has resigned from his position as the company's director of artistic administration.

Back in the days before the coronavirus pandemic, lots of people found community and comfort in singing together, whether at school, as a form of worship, in amateur groups or performing as professionals. Last year, Chorus America reported that some 54 million Americans — that is, more than 15% of the entire country's population — participated in some kind of organized group singing. And that study revealed that nearly three-quarters of those polled felt less lonely.

When cases of the coronavirus spiked in March, doctors and nurses across the country found themselves overwhelmed with work. The shutdown also took away an important creative outlet for a special breed of medical professional: classical musicians. That's why John Masko, a symphony conductor in Boston, founded the National Virtual Medical Orchestra, giving those in the medical field a chance to perform and connect with each other.

"I kept hearing from musician after musician from our ensemble [about] how much they wish they were playing," Masko says.

New York's Metropolitan Opera, armed with technology, today's top singers and a captive, home-bound audience is, in spite of them, struggling to make opera relevant. The company's new streaming series, Met Stars Live in Concert, while a valiant endeavor, can't seem to shake off opera's fusty, aristocratic trappings.

One of America's most beloved and resourceful pianists has died. Leon Fleisher was 92 years old. He died of cancer in Baltimore Sunday morning, according to his son, Julian.

The pianist's roller coaster career began with fame, moved to despair and ended in fulfillment.

Composer Max Richter has scored soundtracks and had his music placed across film and television, including recent Hollywood movies such as Mary Queen of Scots, Hostiles and Ad Astra. But Richter's also a composer who's not afraid to take on political issues in his music.

Two controversies broke out this week regarding accusations of anti-Black racism in classical music. One involved two high-profile international soloists, pianist Yuja Wang and violinist Leonidas Kavakos. The other features less prominent individuals — a group of academics — but it also points to the slowness of the classical music community to take up difficult conversations about race and representation.

Updated on Aug. 6 at 8:06 a.m. ET

In April 1945, Madame Roos wrote a letter to French authorities describing her piano she was hoping to get back. Roos, who was 72, was Jewish and her piano had been stolen when Nazis emptied her apartment in Paris.

A similar fate befell many of the 75,000 French Jews deported to concentration camps during World War II.

Six years ago, Maria Schneider, the meticulous jazz composer and orchestrator, embarked on a project with David Bowie, the polymorphic pop vanguardist.

Chris Herbert was in a hurry. The vocalist and musicologist was studying the Ephrata Codex — an 18th century music manuscript — in the Library of Congress, which meant he was on the clock. Herbert was working on digitizing the Codex. He flipped through the pages, taking pictures of each one, with no time to pause.

Here's a surprising statistic: According to a survey by Chorus America, one in six Americans, or 54 million people, sing in choral groups, whether that's community, school and children's choirs, religious groups or professional ensembles. But since stay-at-home orders have been issued across many states, choral music here and around the world has completely stopped.

The iconic score to The Good, the Bad and the Ugly: This is the sound of the American West, at least filtered through the ears of an Italian — specifically, composer Ennio Morricone. He was a giant in the world of film scores who wrote the music for more than 500 movies.

On Nov. 20, 1934, a brand new symphony brought a Carnegie Hall audience to its feet. The concert featured the Philadelphia Orchestra, led by its star conductor Leopold Stokowski. The music was the Negro Folk Symphony, by the 35-year-old African American composer William Dawson.

New York's Carnegie Hall and Lincoln Center both said on Thursday that they have canceled their performances for the rest of 2020, due to the coronavirus pandemic. The twin announcements from the two New York City landmarks signal that the city's cultural life will be slow to return.

In typical years, late September marks the beginning of the new concert season for two of New York's most famous music venues, followed shortly by the moneymaking holiday season. But 2020 is turning out to be anything but a normal year.

Between the pandemic, the economic crisis and now protests, 2020 has already been a lot. Yo-Yo Ma has been coping, and trying to help the rest of us cope, with music. The cellist has been posting videos of himself playing what he calls "Songs of Comfort."

"I do believe that everything that we do," he says, "people in every profession — medical workers, the delivery people, the politicians — we all are there to serve. We only exist because someone has a need. I know that music fulfills that kind of need."

The shutdown due to the coronavirus pandemic hit musicians hard, with concert halls and rehearsal spaces shuttered and silent. But a new music initiative from the Library of Congress embraces the constraints of COVID-19. The series is a collection of 10 videos of 10 different original compositions that will premiere online starting Monday, June 15. It's called the Boccaccio Project.

Our Daily Breather is a series where we ask writers and artists to recommend one thing that's helping them get through the days of isolation during the coronavirus pandemic.

Who: Davóne Tines

Where: Raleigh, N.C.

Recommendation: Reconnecting through daily rituals and learning to make the perfect cup of coffee

Our Daily Breather is a series where we ask writers and artists to recommend one thing that's helping them get through the days of isolation during the coronavirus pandemic. NPR Music's Tom Huizenga recently spoke with Pulitzer-winning composer Steve Reich, who has been keeping busy with the solitary act of writing a new piece from his winter getaway in Los Angeles.

Who: Steve Reich
Where: Los Angeles, Calif.
Recommendation: Keep on working

Rachel Portman has been scoring films since the 1980s, and in 1997 became the first woman ever to win an Oscar for best original score for her work on Douglas McGrath's Emma. Since then, Portman has scored dozens more films and TV shows, but is now stepping away from the screen with ask the river, her first album of music not written for a movie, TV show or stage production.

"There were hardly any female film composers," Portman says of winning an Oscar at that time.

Our Daily Breather is a series where we ask writers and artists to recommend one thing that's helping them get through the days of isolation during the coronavirus pandemic.

Who: Jennifer Koh

Where: New York, N.Y.

Recommendation: Finding a source of fearlessness and joy

As a musician, I engage with the action of listening to others and the action of physicalizing music.

Tanglewood, the summer home of the Boston Symphony Orchestra [BSO] and a popular draw for tourists in the Berkshire Mountains, has canceled its 2020 live performance season due to the coronavirus, the BSO announced on Friday.

In these days of uncertainty, music can provide a safe haven, an escape, or even a boost of energy. I've found all of that and more in a new recording of the music of Carl Philipp Emanuel Bach, the second oldest of Johann Sebastian's musical sons, and a composer who continually fascinates me.