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Latino USA
Saturdays 5 AM, Sundays 2 PM

Celebrating nearly 30 years, Peabody Award-winning “Latino USA” is the longest running Latino-focused program on U.S. public media, and embodies the mission to elevate the voices of historically marginalized communities through authentic storytelling.

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  • It was an anti-immigrant initiative in his home state of California that pushed Alex Padilla into politics, now he is making history as the first Latino to represent California in the U.S. Senate. In an extended interview with Padilla, Maria Hinojosa asks the senator about Prop 187, the controversial 1994 ballot measure that politicized Padilla, and many other Latinos of his generation. They also discuss the senator’s career-long focus on voting rights, and the threats they face today. This episode originally aired in May of 2021.
  • In her work, Argentine author Samanta Schweblin explores the feeling of eeriness that accompanied her childhood. Samanta was born in Buenos Aires in 1978, just after the start of a violent dictatorship. But, while violence surrounded her growing up, there was also art: her grandfather was a famous artist who began to train her as a writer when she was six years old. Together they took trips, stole books, rode the train without tickets and went to plays and museums—all in the name of artistic training. It worked. Samanta’s work has been translated into 25 languages and long-listed for the International Booker Prize. In this episode, Samanta shares the origins of her fascination with the blurry lines between our perceptions of what’s normal and what’s strange.
  • When you enter the Caribbean Social Club, or Toñita’s, it feels like you could be in your grandmother’s living room. And that’s exactly what its owner, Maria Antonia Cay —better known as Toñita— was aiming for when she opened the club in the 1970s as a gathering place for the local baseball team. 50 years later, Toñita’s is still standing in Los Sures, the south side of Williamsburg—the most gentrified neighborhood in New York City. Yet over the years, Toñita has faced ever greater challenges to keep her club open. In this episode of Latino USA, we follow Toñita through her latest hurdle, a court battle, and we learn about how the Puerto Rican community in Los Sures has kept culture alive.
  • This week, Latino USA shares an episode of The Unmarked Graveyard: Stories from Hart Island podcast. When Annette Vega was in elementary school, she found out the man she called “dad” wasn’t her biological father. But all she knew was that her mom had had a teenage romance with a guy named Angel Garcia. Annette has searched for Angel for more than 30 years, a search that is finally coming to the end. “The Unmarked Graveyard: Stories from Hart Island" is a new series from Radio Diaries that tells the stories of seven people buried on Hart Island through a range of circumstances. Hart Island, an uninhabited strip of land off the Bronx is America's largest public cemetery, sometimes known as a "potter's field." Since 1869, more than a million people have been buried on Hart Island, including early AIDS patients, unidentified and unclaimed New Yorkers, immigrants, incarcerated people, artists, and about ten percent of New Yorkers who died of COVID-19. You can hear the entire series on the Radio Diaries podcast here.
  • The 96th Oscars ceremony is a new opportunity for Latinos and Latin Americans in the moviemaking business to be recognized for excellence in cinema. America Ferrera has earned her first Oscar nomination and Colman Domingo has become the first Afro-Latino nominated for best actor. And yet, representation of Latinos on the big screen has remained stagnant. But there are several Latinos and Latin Americans nominated who you may not have heard anything about yet. We spoke to Andes survivor Roberto Canessa and actor Matias Recalt from “The Society of the Snow;” director Maite Alberdi from “The Eternal Memory;” and producer Phil Lord from “Spider-Man: Across the Spider-Verse.” Editorial note: This interview was recorded in early February.
  • Myriam Gurba is a writer and artist from California. Her most recent work is a collection of essays named “Creep: Accusations and Confessions.” In her book “Creep,” Myriam examines individual creeps, as well as how creeps exist in the larger systems and environments that protect them. In this episode of Latino USA, we hear author Myriam Gurba read from “Creep: Accusations and Confessions” and talk about why it’s important to unmask the creeps.
  • Javier Zamora is a writer who believes he has a particular responsibility: to understand and also change the world through words. He comes from a tradition of poets in El Salvador who used poetry to denounce injustices, the “Generación Comprometida,” and his personal experience of migrating as a child alone to the United States has shaped his worldview. In his work, Javier has shared some of the most intimate and difficult moments of his own history, first in the award-winning poetry collection “Unaccompanied” and then in the New York Times best-selling memoir “Solito.” In this intimate conversation, Javier shares what it was like to return to those painful episodes in his writing, the complicated relationship he has with El Salvador, and what he hopes the role of poets and writers could be in these turbulent times.
  • Buscabulla is a Puerto Rican indie duo formed by wife and husband Raquel Berrios and Luis Alfredo del Valle. Around 2018, Buscabulla was one of the most beloved Latinx bands in New York City. Raquel and Luis had just released their second EP and confirmed a performance in that year’s Coachella music festival. Around this time of success, Raquel and Luis decided to move back to Puerto Rico. It was a significant life change, but one they were certain they wanted to make... as artists, and as new parents. In this segment of our "How I Made It" series, Raquel and Luis join us from Aguadilla, Puerto Rico, and they tell us about their debut album "Regresa." This episode originally aired in October 2020.
  • In 2018, a young Guatemalan man named Reynaldo Castro Tum was ordered deported even though no one in the U.S. government knew where he was, or how to find him. Now, his unusual journey through the United States' immigration system has sucked another man back into a legal quagmire he thought that he'd escaped. This episode follows both of their stories and the fateful moment they collided. This episode originally aired in October 2020.
  • Las Cafeteras is a band out of East LA that met while doing community organizing. They began playing at the Eastside Cafe, where they discovered Son Jarocho, traditional Afro-Mexican music from Veracruz. They quickly began to adapt the music to their realities fusing it with hip hop, rock, ska, and spoken word. They are known for their politically charged lyrics, speaking out against injustices within the immigrant community and their experiences as Chicanos in East LA. On today’s How I Made It, we sat down with members of the group to discuss how they got started, and their work to tell and preserve brown stories. This episode originally aired in November 2020.
  • On March 14th, 2020, Martha Escudero and her two daughters became the first family to occupy one of over a hundred vacant homes in El Sereno, Los Angeles. Some people call them squatters, but they call themselves the Reclaimers. The Reclaimers are occupying houses that belong to the California Department of Transportation, who planned to demolish them to build a freeway through this largely Latinx and immigrant neighborhood. This is the story of one of these houses, and its residents, past and present, who have fought to make it their home. This episode originally aired in November 2020.
  • If you’ve ever been to an Aida Rodriguez comedy show you’ve probably heard Aida crack jokes about her family, her upbringing, race, politics, everyday life and Latinos. She recently published a memoir called “Legitimate Kid: A Memoir.” In this episode of Latino USA, we hear Aida Rodriguez talk about, and read from her memoir and we get a front row seat to one of her recent comedy shows in New York City.