Lily Meyer
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Concerning My Daughter, Hugs and Cuddles and Freeway: La Movie do not pretend to be easy reads, yet they are all completely consuming.
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Iraqi poet Faleeha Hassan's memoir War and Me, Mexican novelist Brenda Lozano's Witches, and Uyghur novelist and social critic Perhat Tursun's The Backstreets have a few broad commonalities.
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Mutt-Lon's The Blunder, Pina by Titaua Peu, and Thuận's Chinatown all come from different continents and deal, glancingly or in depth, with French colonialism.
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The protagonist of Clare-Louise Bennett's novel is a determinedly unfixed and unrooted person who marks time by which writers she has read.
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The novel is simultaneously wise and silly, moving and inscrutable. It is also indisputably working hard to be new.
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Novelist John Darnielle — also singer-songwriter with the Mountain Goats — has a hero who wants to honor the victims he's writing about but doesn't much like them.
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Following the success of Breasts and Eggs, Mieko Kawakami's publishers are releasing a beautiful new translation of her 2016 novel Heaven, about an unnamed teen dealing with bullies at school.
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English publisher and poet Sam Riviere's debut novel is a long monologue from a poet, disgraced for plagiarism, unburdening himself to a self-obsessed poetry magazine editor in a seedy hotel bar.
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In her first collection, Lucy Ives proves herself — and we mean this as a compliment — a real literary weirdo. Her stories are strange without ever performing strangeness, baffling yet precise.
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Patricia Engels' novel about the experiences of a Colombian family migrating to the U.S. stands out for its sharp writing — but frustrates in equal measure because of its reliance on summary.