Eric Deggans

Eric Deggans is NPR's first full-time TV critic.

Deggans came to NPR in 2013 from the Tampa Bay Times, where he served a TV/Media Critic and in other roles for nearly 20 years. A journalist for more than 20 years, he is also the author of Race-Baiter: How the Media Wields Dangerous Words to Divide a Nation, a look at how prejudice, racism and sexism fuels some elements of modern media, published in October 2012, by Palgrave Macmillan.

Deggans is also currently a media analyst/contributor for MSNBC and NBC News. In August 2013, he guest hosted CNN's media analysis show Reliable Sources, joining a select group of journalists and media critics filling in for departed host Howard Kurtz. The same month, Deggans was awarded the Florida Press Club's first-ever Diversity award, honoring his coverage of issues involving race and media. He received the Legacy award from the National Association of Black Journalists' A&E Task Force, an honor bestowed to "seasoned A&E journalists who are at the top of their careers." And in 2019, he was named winner of the American Sociological Association's Excellence in the Reporting of Social Justice Issues Award.

In 2019, Deggans served as the first African American chairman of the board of educators, journalists and media experts who select the George Foster Peabody Awards for excellence in electronic media.

He also has joined a prestigious group of contributors to the first ethics book created in conjunction with the Poynter Institute for Media Studies for journalism's digital age: The New Ethics of Journalism, published in August 2013, by Sage/CQ Press.

From 2004 to 2005, Deggans sat on the then-St. Petersburg Times editorial board and wrote bylined opinion columns. From 1997 to 2004, he worked as TV critic for the Times, crafting reviews, news stories and long-range trend pieces on the state of the media industry both locally and nationally. He originally joined the paper as its pop music critic in November 1995. He has worked at the Asbury Park Press in New Jersey and both the Pittsburgh Post-Gazette and Pittsburgh Press newspapers in Pennsylvania.

Now serving as chair of the Media Monitoring Committee for the National Association of Black Journalists, he has also served on the board of directors for the national Television Critics Association and on the board of the Mid-Florida Society of Professional Journalists.

Additionally, he worked as a professional drummer in the 1980s, touring and performing with Motown recording artists The Voyage Band throughout the Midwest and in Osaka, Japan. He continues to perform with area bands and recording artists as a drummer, bassist and vocalist.

Deggans earned a Bachelor of Arts in political science and journalism from Indiana University.

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OK, let's look back just a single year now with NPR's TV critic Eric Deggans. He's been giving us his most memorable television moments from 2013. And this morning, Eric has something of a twofer because he says the best TV prank of the year became one of the worst moments for television journalists.

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Copyright 2018 NPR. To see more, visit http://www.npr.org/.

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And let's look back now on 2013 with our TV critic Eric Deggans. He says it was the year of the binge viewer and a special kind of program made it so.

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A controversy has plagued a powerful and lucrative multimedia empire: "Duck Dynasty."

(SOUNDBITE FROM TV SERIES "DUCK DYNASTY")

JASE ROBERTSON: Willie, do you even know how to fish?

The email arrived with the kind of snarky tone reserved for a moment when the author is sure he — and it's usually a he — thinks he's hoisted you with your own petard.

A bit of back story: Last week, I tweeted a question wondering why CBS This Morning used a clip of Toto's hit song "Africa" under a montage of photos from Nelson Mandela's funeral. The tweet went viral, sparking stories on several websites and agreement from a co-founder of the band.

One more lesson on the power of social media:

As the holiday season approaches, the TV cupboard may seem a bit bare; the industry winds down like everything else, filling cable and broadcast networks with holiday specials, reruns and also-ran reality shows.

But there are bright gifts, too: TNT offers Mob City, a three-week, lavishly produced noir-ish TV show about cops and crooks vying for control of 1947-era Los Angeles, airing Wednesdays.

On Dec. 8 and 9, A&E presents a four-hour miniseries on Bonnie and Clyde, retelling the story of the Depression-era outlaws and lovers.

[Plot details regarding Sunday night's Walking Dead midseason finale follow. Proceed at your own risk.]

This is a strange thing to say about a TV show which ended its fall season Sunday with the death of two children, a gun battle, waves of flesh-eating zombies and a decapitation.

But it is easy to forget, in the midst of all the carnage, that The Walking Dead is essentially a show about hope.

Depending on which analyst you read, Katie Couric's move to become "global anchor" for Yahoo! News is either a "bad bet" and an "awkward fit," or an "upheaval in the pecking order" that could "signal the end of old media dominance."

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There are about a dozen reasons I really wanted to love Alpha House, an original comedy series about four U.S. senators sharing a home on Capitol Hill. It premieres on Amazon — yes, Amazon — on Friday.

The biggest reason: often-underrated star John Goodman, playing a politician up for re-election who knows exactly what voters value in a legislator:

It's easy, when writing about network TV, to be cynical.

For example, when I heard the Fox network had been holding annual conferences on diversity, telling top show producers their casts and crew had to feature more people of color, I remained skeptical. What's the catch, I wondered?

(This post was updated at 4:40 p.m. ET)

How did TV's most storied newsmagazine make such a huge mistake? And why won't they explain exactly what happened?

Those are the questions left unanswered days after 60 Minutes correspondent Lara Logan and CBS News Chairman Jeff Fager retracted an Oct. 27 story about the terrorist attack on the U.S. mission in Benghazi, Libya, that featured a suspect source: government contractor Dylan Davies.

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But perhaps not the young audience that commercial networks and cable crave, for them there is "The Walking Dead."

NPR's TV critic Eric Deggans says this flesh-eating zombie fest looks like the future of television.

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