Elizabeth Blair

Elizabeth Blair is a Peabody Award-winning senior producer/reporter on the Arts Desk of NPR News.

Blair produces, edits, and reports arts and cultural segments for NPR's Morning Edition, All Things Considered, and Weekend Edition. In this position, she has reported on a range of topics from arts funding to the MeToo movement. She has profiled renowned artists such as Yayoi Kusama and Mikhail Baryshnikov, explored how old women are represented in fairy tales, and reported the origins of the children's classic Curious George. Among her all-time favorite interviews are actors Octavia Spencer and Andy Serkis, comedians Bill Burr and Hari Kondabolu, the rapper K'Naan, and Cookie Monster (in character).

Blair has overseen several, large-scale series including The NPR 100, which explored landmark musical works of the 20th Century, and In Character, which probed the origins of iconic American fictional characters. Along with her colleagues on the Arts Desk and at NPR Music, Blair curated American Anthem, a major series exploring the origins of songs that uplift, rouse, and unite people around a common theme.

Blair's work has received several honors, including two Peabody Awards and a Gracie. She previously lived in Paris, France, where she co-produced Le Jazz Club From Paris with Dee Dee Bridgewater, and the monthly magazine Postcard From Paris.

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It has the makings of a great mystery: artwork stolen from a prominent museum, plus the FBI, a beautiful woman and an intrepid reporter. But this isn't fiction; it's a strange, true tale of how a painting by Pierre-Auguste Renoir has now safely returned home to Baltimore.

The CBS legal drama The Good Wife centers on smart, attractive Chicago lawyer Alicia Florrick. She's "the good wife" because she stood by her politician husband when he cheated on her.

But the show's most compelling story line has always been between Alicia and another lawyer, Will Gardner. And if you don't want to know what happened in that storyline last night, stop reading NOW.

No, Really: Major Spoiler Ahead

The new head of the Smithsonian Institution was announced Monday. David Skorton will leave his job as president of Cornell University to become the institution's 13th secretary since its founding in 1846.

Skorton becomes the first physician to lead the Smithsonian. He's a board-certified cardiologist and amateur jazz musician. Most importantly for the Smithsonian, he's a skilled fundraiser. Skorton led a team that raised $5 billion during his eight years at Cornell.

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You know, as I host this program, I'm on a social media platform - Twitter, as a matter of fact. There is no group that takes that new social media platform more than teenagers, and that's exactly what worries a lot of parents. Danah Boyd is a respected researcher in the world of social media. She spent years studying teenagers and how they interact online. Her findings are in a new book called "It's Complicated." In this encore broadcast, NPR's Elizabeth Blair reports.

Researcher danah boyd is obsessed with how teenagers use the Internet. For the legions of adults who are worried about them, that's a good thing.

With a Ph.D from the University of California, Berkeley, and a masters from MIT, and as a senior researcher with Microsoft, boyd is something of a star in the world of social media. For her new book It's Complicated, she spent about eight years studying teenagers and how they interact online. She says she wrote the book in part to help parents, educators and journalists relax. "The kids are all right," she says.

When Shirley Temple Black died earlier this week, many of the tributes mentioned one of the most iconic scenes in American movie history: the staircase dance that Temple performed with Bill "Bojangles" Robinson in the 1935 movie The Little Colonel. They were the first interracial couple to dance onscreen. But their partnership was more than just a movie milestone.

He was in his 50s. She was 6. He called her darlin'; she called him Uncle Billy.

Robinson taught Temple his joyful, elegant tap-dancing routines. She thought he was the perfect partner.

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Actor Philip Seymour Hoffman was found dead on Sunday in his Manhattan apartment. He was 46.

Hoffman was steeped in his profession — in film, on stage, in the spotlight and behind the scenes.

In 2005, he won the Oscar for best actor for his portrayal of Truman Capote. The movie focuses on Capote's interviews with two murderers on death row for his nonfiction novel In Cold Blood.

Super Bowl suspense is building — for the game and the commercials. With an audience of over 100 million people, advertisers covet this space, but at a reported $4 million a spot, only the mightiest corporations can afford Super Bowl exposure. This year, though, there's an exception. One lucky little business will get one of those primo slots — free.

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From NPR News, this is ALL THINGS CONSIDERED. I'm Audie Cornish.

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And I'm Melissa Block.

Can wealthy art lovers help save Detroit's pension funds — and one of its museums?

As we near the end of 2013, NPR is taking a look at the numbers that tell the story of this year. Numbers that, if you really understand them, give insight into the world we're living in, right now. Over the next two weeks, you'll hear the stories behind these numbers, which range from zero to 1 trillion.

You can understand a lot about how Hollywood works if you understand the number 17. That's the number of big, super-expensive movies that came out in the May to July summer movie season. And only about 10 of them were solidly profitable.

Watching a living creature slip, stumble, get squashed or just thwack an enemy can be a blast. Because as Charlie Chaplin said: "In the end, everything is a gag."

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When the Whitney Museum of American Art announced the artists for its 2014 biennial, people took to the Internet to chime in about who's been included and who's been left out; the last biennial had been blasted for ignoring Latino artists. But when a new show opened at the Smithsonian American Art Museum featuring only Latino artists — "Our America: The Latino Presence in American Art" — it was blasted for other reasons.

Feisty. Stubborn. A real cowboy. According to people who knew him, the real Ron Woodroof was very much like the character played by Matthew McConaughey in the new movie Dallas Buyers Club.

Bill Minutaglio — who wrote about Woodroof for The Dallas Morning News — describes him as "salty."

"I kinda liked him. He cursed like four sailors," says Minutaglio.

Chicago attorney Michael Cascino represented Woodroof in a case against the Food and Drug Administration.

There's one area of the economy that's growing faster than business or government.

According to the Urban Institute, in the 10 years between 2001 and 2011, the number of nonprofits increased 25 percent. But most of them aren't very good at measuring their effectiveness — at least, that's the conclusion of the nonprofit watchdog Charity Navigator, which rates thousands of nonprofits to help donors make decisions on their giving.

Just in time for Halloween comes a new movie version of Stephen King's horror novel Carrie. While the teenaged Carrie White is clearly at the center of the story, I think her mother is the more fascinating character.

Carrie — about a shy misfit whose coming of age collides with her mother's fearful religious fundamentalism and her schoolmates' pack-animal cruelty, with combustible results — scared the bejesus out of me when I was a teenager. Carrie turned out to be dangerous, sure. But it was her mother, Margaret White, who made my heart stop.

Federal bureaucracies aren't the only ones scaling back operations during the government shutdown. It's also meant that kids couldn't take field trips to the Smithsonian.

In fact most of the popular Washington attractions funded by the government are closed. That includes the Smithsonian's 19 museums and the National Zoo, plus Ford's Theatre and the National Gallery of Art.

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One of the surprise movie hits this past weekend was almost entirely in Spanish. Instructions Not Included made an enormous amount of money per screen, more than $22,000, playing in fewer than 350 theaters. The boys in One Direction had the number one film, but they pulled in less than $6000 per screen. That's a huge victory for star Eugenio Derbez, a household name in Mexico, and for Pantelion films, which has been trying to find a Spanish-language hit in the U.S. film market for a few years now.

Hari Kondabolu is a brainy comedian who cuts through the polite talk around race and gender. He's made a lot of key people laugh with his incisive anecdotes, including Jimmy Kimmel, Conan O'Brien and John Oliver.

A full-time writer on the FX show Totally Biased with W. Kamau Bell, he recently did a comedy bit on the National Spelling Bee, or "as I like to call it," he joked, "the Indian Super Bowl."

Anyone who worked closely with Pete Seeger knew the legendary folk singer's wife. For seven decades, Toshi Seeger organized his festivals and handled his travel and correspondence. The social activist died Tuesday. She was 91.

When it comes to diversity, children's books are sorely lacking; instead of presenting a representative range of faces, they're overwhelmingly white. How bad is the disconnect?

Call it the Smithsonian's bubble problem. One of the Smithsonian museums — the Hirshhorn museum for contemporary art — came up with an ambitious new design to add more space: Why not build a giant, inflatable structure that would be big enough for people to walk around in?

But some of the Smithsonian's trustees in Washington, D.C., haven't been blown away by the bubble.

It's Cinderella plus Jackie Robinson times two. When Venus and Serena Williams burst onto the lily-white world of tennis, they changed the game and made history: They were sisters. From a poor neighborhood. Who brought unprecedented power to the game. And both reached No. 1.

Their journey is the subject of a new documentary called Venus and Serena, showing in select theaters around the country.

This is the third in a three-part series about the intersection of education and the arts.

Life Pieces to Masterpieces is an arts program that's not entirely about the art. It's an after-school program based in a struggling neighborhood in Washington, D.C., that teaches black boys and young men what they call "the four C's": "Connect, create, contribute, celebrate." From ages 3-25, they learn to express themselves by conceiving their paintings together. And those paintings will often reflect what's going on in their lives.

This is the second in a three-part series about the intersection of education and the arts.

Let's start with a question from a standardized test: "How would the world be different if we all had a third eye in the back of our heads?"

It's not a typical standardized question, but as part of the Next Generation Creativity Survey, it's used to help measure creativity a bit like an IQ test measures intelligence. And it's not the only creativity test out there.

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